The Official Website of...

Welcome to the Theo Travis Website

News, reviews, music and more about Theo Travis.
Theo Travis has not set their biography yet

New Album ‘Open Air’ 19 May 2017. Pre-orders now open.

If you enjoyed any of the 'Travis & Fripp' albums, 'Slow Life' or the Cipher albums, I hope you will be interested in the brand new solo flute studio album recorded in London in 2016 and coming out in May 2017 on Tonefloat Records. Called 'Open Air' it is being released on heavyweight black vinyl. It features mainly atmospheric ambient flutes – alto flutes, bass flute, concert flute and a very cool Native American wood flute.Plus there are some surprises on there too.

I have just 25 copies of the Special Edition which has completely different artwork and a cool burgundy cover. I am personally signing these ones and with these copies as an extra come two exclusive high resolution bonus tracks. For those of you that go for this option, you will also know that these copies are a vital part of making this album project actually possible. Like a sort of Kickstarter/crowdfunding element that enables it to happen at all. So you have my personal thanks and appreciation for your contribution! See ordering page here for ordering info.

The remaining copies of this Special edition are available direct from Tonefloat records at www.tonefloat.com

I also have a limited number of the Standard edition of the vinyl with completely different cover photos and a green cover available on this site, on our shop. I am happy to sign these on request. The album will also be available as a Digital Download. The album features stunning photography by Brighton, UK based photographer Mark Nelson and design by Carl Glover.

Check out the video for a taster.

Thank you! T x



Press Quotes for 'Slow Life'

Despite the complexity of the arrangements, the pieces, each recorded live in the studio, are characterised by a sense of space, freedom and clarity. The overlaid flute loops resist entanglement and the listening experience is almost entirely restful.

The Wire

There are no FX that morph or distort the natural sound of the instrument, but the resulting layered loops do produce an ethereal atmosphere within which the flute can explore, and makes for a surprisingly full sound given the solo nature of the album. The music is generally slow paced, with deep consideration given to each note and phrase.

Aural Innovations (USA)

Sinuous alto flute strands are stratified across contemplative soundspaces by Theo Travis. With dreamlike slowness, layers of flutatious curlicues unfold ... These solo flute compositions are beautiful and thoughtful.

Ambientrance (USA)

146 Hits
0 Comments

A belated Happy New Year

John Etheridge and Theo front and centre

Welcome to my new website and a belated Happy New Year to you all! The revamped website has been a while coming and I am pleased to launch it so early in 2017. 

I have just returned from a great flying visit to Aberdeen in Scotland with my friend and colleague guitarist extraordinaire John Etheridge. We had a great trip with a gig at the Blue Lamp Jazz Club with drummer Alyn Cosker and double bass player Euan Barton and had a fabulous night. The following morning we took a jazz and improvisation workshop at Aberdeen University and we were impressed with the students who were of a high standard and really engaged with what we had to offer.

My main recent activity has been the preparation for the release of my new solo album 'Open Air' which is being released in a beautiful vinyl package on Tonefloat Records. The album is broadly a follow up to my 2003 album 'Slow Life'. It comprises 10 flute tracks – bass flute, alto flute, concert flute and various wood flutes, often layered in hypnotic loops and largely ambient and atmospheric in nature. 

The mixing and mastering has recently been completed and the artwork now signed off. There will be a special limited edition of only 75 copies for collectors, with completely different artwork and a burgundy cover, as well as the regular edition with a green cover. Both editions feature specially commissioned atmospheric photos by Brighton photographer Mark Nelson. 

The special edition will also feature a link to two additional exclusive high resolution bonus tracks recorded from the same studio recording sessions. 

There will be copies of both the special edition and regular edition available from my website shop (and also www.tonefloat.com) which can be signed on request. In addition to the download code, copies from my site will include an exclusive signed photo. Pre-ordering will open shortly.

I have also been involved in some great but low key gigs on the London jazz scene and planning some more Soft Machine concerts for later in the year. 

Also there has been some really cool activity in my home recording studio working on some new production music - for a company that provides music for film and TV. It has enabled me to work on some really cool sounds and collaborate with some very talented people. I am working on some tracks with Fender Rhodes electric piano, acoustic piano and electronica in a musical soundworld combining Cipher music, the strangeness of Twin Peaks soundtracks and ambient electronica. 

There have also been some discussions and mixes being sent for approval of recordings of concerts from the Travis & Fripp tours of 2009 and 2010. It is a thrill for me to have toured and recorded with Robert Fripp so much and I hope some of these recordings will see the light of day at some time in the future. There is some very cool music there.

But more of that later. So do take a look around the new site, hang around for a bit and feel free to leave any comments you wish to. 

Cheers, 

Theo

273 Hits
0 Comments

More Reviews...

141 Hits
0 Comments

Burden of Proof Review

Three quarters of the celebrated 70’s version of the legendary group which recorded the acclaimed ‘Softs’ album in 1976, are completed by outstanding sax star Theo Travis. The band plays material from the era (compositions by Hugh Hopper, Mike Ratledge, Karl Jenkins) as well as many contemporary works, as featured on their recent album ‘Burden of Proof’.

“Burden of Proof is, to put it mildly, absolutely exquisite. These are four musicians who are masters of their craft, and truly at the top of their game, not only as soloists but as contributors in an actual band. They've put together here a collection of songs that basically has something for everyone; challenging jazz-fusion, adventurous prog-rock, bits of chaotic free-jazz, atmospheric instrumental popjazz, and even a little hard rock. Extraordinary!"

Pete Pardo

147 Hits
0 Comments

The Arts Depot - Review

The sax player and Fripp collaborator brings his live show to the capital.

Venue: The Arts Depot, London
Date of Gig: Monday 30th June 2016

If you like music operating at the fluid interface between jazz, ambient and prog, you’ll wish you’d been in north London to witness Theo Travis and his band (guitarist Mike Outram, organist Pete Whittaker and drummer Nic France) in full, flowing effect.

You can see why prog mainstays and outliers as esteemed as Robert Fripp, Bill Nelson, Steven Wilson, Gong, David Sylvian and Harold Budd have flocked to work with the saxophonist, flautist and composer. His music’s not all ECM-style slow serenity and late-period Talk Talk tranquility, though. There are moments of Mahavishnu-esque intensity when the players threaten to tear the roof off.

It’s a varied set. Sometimes they seem less like a prog band than a modern jazz quartet. Much of the show comprises tracks from the 2015 album Transgression, but there are intriguing diversions. Travis introduces a song “by a great British songwriter who is no longer with us” – Syd Barrett’s See Emily Play – with an addendum about stopping at Toddington Services on the M1 and getting a call from David Gilmour to join him on tour in Europe. It might not be everyone’s cup of hallucinogens – the sinister psych strut of Syd’s original is replaced by sweet and sour sax noodling – but it’s certainly different.

Sometimes it’s a tad smooth. But then they’ll throw in a drum fusillade or a sax blast and you’ll be back on prog terra firma. It’s all very grown up, with tasteful applause not just at the end but for solos within songs too. Smokin’ At Klooks has a bossa nova, Latin feel worthy of Abraxas-era Santana. And a tune inspired by Iain Banks’ The Crow Road has a quirky rhythm, somewhere between cool jazz and more frenetic prog.

It’s a show of two halves. Fire Mountain kicks off the second half, with some McLaughlin-fast guitar and virtuoso sax. Song For Samuel is like Steely Dan if they eschewed tunes for dexterous jazz fusion. The audience are transfixed by the version of Robert Wyatt’s Maryan, while Portobello 67 hints at psychedelic jazz.

They climax with a song about Pluto’s changing planet status. Suitably, it has all the alien quirks, strangeness and charm of Captain Beefheart. But then Theo Travis has a magic band of his own.

Paul Lester

150 Hits
0 Comments